Beyond Practice: The Strategic Advantage of Private Music Lessons
The Competitive Advantage Most Student MusiciansOverlook — and Why It Matters More Than Ever in Collegiate Music Admissions and Scholarships.
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What’s the Real Difference?
When you're thinking about studying music in college, it can feel like you’re learning a whole new language. Should you go to a "conservatory" or a "school of music"? And what about places called "institutes" or "colleges of music"? Understanding the differences can help you choose the best path for your future.
A music conservatory is a specialized school focused almost entirely on training professional performers. Students spend most of their time on lessons, practice, rehearsals, and performances. Conservatories usually focus heavily on classical music, and admission is very competitive, requiring a live audition. Conservatories are often smaller and more selective, meaning classes are more intimate and the focus is laser-sharp on artistic development.
A school of music is typically part of a larger university and offers a broader range of degree programs. In addition to performance, students can study music education, music technology, music history, and more. Because they're part of a university, students often have access to a wide variety of resources and even the ability to double major.
When comparing conservatories and schools of music, cost and financial aid are important factors to consider.
FAFSA and Financial Aid:
Most conservatories and schools of music accept FAFSA (Free Application for Federal Student Aid), allowing students to apply for federal grants, loans, and work-study programs. Always check each school’s financial aid policies, as smaller private conservatories may have different funding structures.
Quick Tip: Compare not just the tuition price, but the net cost — the amount you’ll actually pay after scholarships and financial aid are applied.
Feature | Conservatory | School of Music |
---|---|---|
Focus | Performance (mainly classical) | Broad — performance, education, tech |
Size | Small, specialized | Larger, more diverse programs |
Admission | Highly competitive, audition-focused | Audition + academic acceptance |
Degrees Offered | Mostly performance degrees: Bachelor of Music (BM), Master of Music (MM), Doctor of Musical Arts (DMA) |
Performance + broader music degrees: BM, BA (liberal arts), BME (music education), MA, MM, DMA, PhD |
Campus Environment | Standalone or part of small institutions | Part of larger universities |
Examples | Juilliard, Curtis Institute | Berklee College of Music, University of Michigan School of Music, Theatre & Dance |
Not every top music school is called a "conservatory" or a "school of music." Some schools use terms like "institute" or "college of music."
Conservatories date back to 16th-century Italy, where they were originally founded to train singers and instrumentalists, mostly for church music. Over time, conservatories spread across Europe and came to the U.S. in the 19th century.
Schools of music have a different history, with roots in the Middle Ages when education for choirs and church musicians first took shape. Today, schools of music offer degrees in a wide range of musical styles, from jazz to pop to classical.
One common question students ask is whether they need a professional-level instrument to attend a conservatory or school of music.
The short answer: No, but it helps.
If you dream of being a professional performer and want intense, focused training, a conservatory might be the right choice. If you want more options, such as studying music education, music technology, or even double majoring in another subject, a school of music might be a better fit.
Quick Tip: Visit campuses, talk to current students, and carefully review each school’s programs and audition requirements.
Choosing the right music school is a big decision, but it’s also an exciting first step toward your future. Whether you choose a conservatory, a school of music, an institute, or a college, what matters most is finding a place where you can grow — not just as a musician, but as a person.
Remember: there is no one-size-fits-all path to a successful music career. Some students thrive in a focused conservatory environment; others find their voice through the broader experiences at a school of music. What matters is your passion, your dedication, and your willingness to keep learning and growing.
Your journey in music is yours to create. With the right foundation, hard work, and a heart for the art, you can turn your dreams into reality — one note, one performance, one opportunity at a time.
Audition: A performance or demonstration of skill that is required for admission into many music schools. It often involves playing prepared pieces for a panel of faculty members.
Bachelor of Arts (BA): A general undergraduate degree that can include a major in music but usually involves more liberal arts coursework than a Bachelor of Music.
Bachelor of Music (BM): An undergraduate degree focused primarily on music performance, theory, and related studies.
Bachelor of Music Education (BME): An undergraduate degree designed for students who want to become certified music teachers.
Campus Environment: The setting and community around a school; includes factors like campus size, available resources, and the overall atmosphere students experience.
Conservatory: A specialized school focused almost entirely on training professional performers, especially in classical music, with an intensive and performance-driven curriculum.
Degree Program: A set of courses and requirements leading to an academic degree, such as a BM, BA, or BME in music.
Doctor of Musical Arts (DMA): A terminal (final) degree in music performance or composition, often pursued by those aiming for advanced performance careers or teaching positions at universities.
FAFSA (Free Application for Federal Student Aid): A form that students fill out to apply for federal financial aid for college, including grants, loans, and work-study programs.
Financial Aid: Money that helps students pay for college, which can include scholarships, grants, loans, and work-study jobs.
Institute (of Music): A term some schools use that can reflect a conservatory-style training environment or a specialized department within a larger university (e.g., Peabody Institute).
Instrument Loans: Programs at some schools where students can borrow high-quality instruments for practice and performance.
Liberal Arts: Academic studies in areas like humanities, sciences, and social sciences; a BA degree usually involves more liberal arts coursework than a BM degree.
Master of Arts (MA): A graduate degree that may involve advanced study in music history, theory, or related academic areas, rather than just performance.
Master of Music (MM): A graduate degree focused on advanced study in music performance, composition, or conducting.
Music School (School of Music): A department or college within a university that offers a broad range of music degrees and programs, often including performance, education, technology, and research.
Net Cost: The actual amount a student and their family will pay for college after scholarships, grants, and financial aid are applied.
Performance-Based Training: A style of education focused mainly on developing performance skills through lessons, rehearsals, and live performances.
Professional Instrument: A high-quality instrument made for advanced or professional players, often needed for competitive music programs.
Scholarship: Money awarded to students based on talent, need, or academic achievement that does not have to be repaid.
School of Music: A broader music education institution that offers multiple music-related degrees and often includes access to other academic fields and university life.
Selectivity: The competitiveness of a school's admission process; schools with high selectivity admit only a small percentage of applicants.
Work-Study Program: A form of financial aid where students work part-time jobs to help pay for their education expenses.
Objective: Students will explore the different types of music colleges — conservatories and schools of music — and begin to understand what choices are available for their future music education.
Assignment Title: Discovering Music Colleges: Conservatories and Schools of Music
Instructions:
Format:
Due Date: [Teacher inserts due date]
Rubric: Discovering Music Colleges
Category | Excellent (20) | Good (15) | Fair (10) | Needs Improvement (5) |
---|---|---|---|---|
Research Accuracy | Includes clear facts about both schools | Includes facts but missing details | Some basic facts | Little to no research evident |
Creativity | Very creative, colorful, and neat | Creative but could use more detail | Some effort but minimal creativity | Very little effort shown |
Bonus Reflection | Thoughtful and clear reflection | Simple reflection | Reflection attempted but unclear | No reflection provided (if assigned) |
Following Directions | Follows all instructions | Misses 1–2 parts | Misses several parts | Incomplete assignment |
Objective: Students will understand the differences between conservatories and schools of music, including admission processes, degree offerings, financial aid considerations, and instrument expectations. They will learn to critically evaluate which type of institution best aligns with their personal career goals in music.
Assignment Instructions:
Format:
Rubric: Choosing Your Musical Path
Category | Excellent (20) | Good (15) | Fair (10) | Needs Improvement (5) |
---|---|---|---|---|
Research Accuracy | Thorough and detailed comparison | Mostly complete, some details missing | Basic comparison, important facts missing | Little to no research evident |
Clarity of Reflection | Clear reasoning, thoughtful personal reflection | Mostly clear, some points underdeveloped | General statements, minimal personal insight | Vague or missing reflection |
Writing Quality | Well-organized, no grammar errors | Organized, few grammar errors | Some organization problems, grammar issues | Disorganized, frequent grammar errors |
Formatting | Meets all formatting guidelines | Minor formatting mistakes | Several formatting errors | Not formatted properly |
Total Points: /80
Grading Scale
Points Earned | Letter Grade | Performance Level |
---|---|---|
72–80 | A | Excellent |
64–71 | B | Good |
56–63 | C | Fair |
48–55 | D | Needs Improvement |
Below 48 | F | Incomplete / Major Revisions Needed |
Dear _____________________ Parents,
If your middle schooler has ever serenaded you with a squeaky clarinet solo at the dinner table or turned the living room into a drum studio, congratulations — you’re raising a future musician!
Now, while college may feel light-years away, it’s never too early to start thinking about the road ahead. And yes, there is a difference between a conservatory and a school of music — even though both sound equally impressive when bragging to your friends at PTA or church meetings.
So what’s the real scoop?
Also important: We break down the financial side — scholarships, FAFSA, and whether you really need to cash in your 401(k) for a violin upgrade. Plus, a little insight into why a top-tier conservatory might not require a Stradivarius right out of the gate.
It’s all in a clear, parent-friendly guide: Conservatory vs. School of Music: What’s the Real Difference? — now live at Accoladi.com.
Trust me, it’s worth a read — especially if you want to sound extra smart the next time your child mentions wanting to be the next Yo-Yo Ma or Taylor Swift (I support all dreams here).
Check it out — and let’s keep nurturing those music dreams, one practice session (and maybe one pair of earplugs) at a time.
Musically Yours,
___________________________________________
[Director’s Name and Position]
_________________________________________________________
[School Name]
Dear ____________________________________ Parents,
Let’s face it — navigating the world of music colleges can feel a bit like sight-reading a Mahler symphony... in the dark... with one eye closed.
Your talented young musician is dreaming big — but now the million-dollar question (or at least the thousands-in-tuition one) is:
Conservatory or School of Music?
Sounds fancy either way, right? But trust me, there are real differences — and choosing the right path can make all the difference in helping your child go from living room recitals to the big stage (and maybe even remembering to call home once in a while).
Here’s the good news: You don’t have to guess. I’ve found a terrific guide that breaks it all down: “Conservatory vs. School of Music: What’s the Real Difference?” — now available on Accoladi.com.
This article will give you:
It’s clear, it’s helpful, and I promise it won’t require a music theory degree to understand.
Before you start Googling “best oboe conservatories” or “what is a DMA degree and why is my child screaming about it,” take a few minutes to read this. It’ll save you stress — and possibly some cash.
Again, the article is: “Conservatory vs. School of Music: What’s the Real Difference?” — found on Accoladi.com.
Your future (Grammy-winning?) child will thank you.
Musically Yours,
___________________________________________
[Director’s Name and Position]
_________________________________________________________
[School Name]
Hosted by: Dr. Salvatore Lombardi
Fine Arts Coordinator, Five Boroughs Consolidated Independent School District
[Intro Music: Warm, uplifting underscore fades in]
Voiceover Artist: Welcome to People Over Programs—the podcast that puts students at the center of the stage, where they belong. Brought to you by the Five Boroughs Consolidated Independent School District in partnership with Accoladi.com.
Dr. Lombardi: Hi everyone. I’m Dr. Salvatore Lombardi, Fine Arts Coordinator here in the Five Boroughs—and I’m going to level with you. I put on a sport coat for this episode. Not because I needed to. But because this topic is that important.
Today, we’re talking about dreams. Big ones. Like going to college. Becoming a performer. Or maybe even getting a music degree without your family going into debt.
If you’re the parent of a student in band, choir, orchestra, or theater—and especially if you’re wondering how in the world your child’s love for the arts turns into a future—this one’s for you.
You might think college is out of reach. But the truth is: More than a dozen elite universities and conservatories now offer tuition-free programs for families earning between $75,000 and $200,000 per year. Some even offer free rides for families under $75K.
Places like Juilliard. Eastman. Rice. Oberlin. Vanderbilt. Harvard. And they’re not just admitting the child with the flashiest solo. They’re admitting the ones who are well-rounded, consistent, and ready to learn.
That’s where you—and your child—come in.
So what do they look for? First, repertoire that shows growth. If your child is in 10th grade now, they should have a plan that shows what they performed in 7th, 8th, and 9th. Not just the hardest music now—but thoughtful progress over time.
Second, character. Volunteer work. Coaching younger students. Performing at church or in the community. These things matter. In fact, they matter a lot.
And third, balance. Admissions panels know nerves happen. So a student who plays a “simpler” lyrical piece with beauty and control? That’s memorable. And the best audition panels remember the student who left an impression—not just the one who played loudest.
So here’s what I want you to do. Go to Accoladi.com. Find the Repertoire Directory. Look at the timeline. Help your child plan backwards—so they can move forward.
And remember, you’re not alone. You’ve got teachers, directors, counselors, and yes—even your district Fine Arts office—rooting for you. We believe in your child. We believe in the power of music. And we believe dreams are worth dressing up for.
[Closing music swells]
Voiceover Artist: This has been People Over Programs, brought to you by the Five Boroughs Consolidated Independent School District in partnership with Accoladi.com. Subscribe, share, and visit Accoladi.com to learn more.
Vlog Script – “Conservatory or School of Music? Dr. K Breaks It Down”
Featuring: Dr. Hadassah Katzenberg, Director of Performing Arts, Valle del Crepúsculo School District
[Opening Scene – INT. HIGH SCHOOL ORCHESTRA ROOM – DAY]
Music Cue: Energetic, upbeat instrumental track (pop-meets-classical mashup) starts.
CAMERA: Handheld walking shot entering through the orchestra room door. The camera glides past rows of music stands, a few students quietly warming up in the background — a flute trilling, a cello tuning — posters from past concerts lining the walls.
DR. KATZENBERG (on-camera, smiling, standing at the conductor’s podium): Welcome! We’re here in the Valle del Crepúsculo High School orchestra room — where big dreams get rehearsed, refined, and sometimes played a little too loud.
Today, I want to talk about a question I get from so many students: Should I go to a conservatory or a school of music? Let’s break it down together.
Music Cue: Light, friendly underscore.
CAMERA: Medium shot of DR. K speaking to camera, occasional cutaways to B-roll of students practicing, rehearsing, and performing.
DR. KATZENBERG: Think of a conservatory like musical boot camp — intense, focused, and almost entirely about performance. Your schedule will be packed with lessons, rehearsals, and concerts.
A school of music, on the other hand, is part of a larger university. You’ll still study music seriously, but you’ll also have the chance to explore other fields — maybe double major, join campus clubs, or take classes outside your major.
CAMERA: Split screen visual — left side shows a violinist practicing in a soundproof booth; right side shows a student sitting in a lecture hall with a guitar case by their desk.
Music Cue: Quirky bass-and-clap groove.
DR. KATZENBERG (walking slowly toward a music stand as she talks): Let’s talk money — because yes, it matters.
Some conservatories can be expensive, but they often offer significant scholarships.
Public university schools of music may be more affordable, especially for in-state students. And yes — FAFSA is accepted by most.
CAMERA: Pop-up text graphics appear: “Scholarships!”, “FAFSA!”, “Net Cost > Sticker Price.”
DR. KATZENBERG: Don’t get scared by the sticker price. Always compare the net cost — tuition minus scholarships and aid — before making a decision.
Music Cue: Playful pizzicato strings.
DR. KATZENBERG (smiling): Here’s a myth I want to bust: You do not need a professional-level instrument to audition. What matters most is how you sound and how prepared you are.
CAMERA: Cut to B-roll of a student confidently playing on a well-worn trumpet, then another student unpacking a pristine loaner instrument from a school case.
DR. KATZENBERG (V.O.): And if you do need an upgrade later, many schools have instrument loan programs or scholarships to help.
Music Cue: Warm, inspiring underscore.
CAMERA: Medium close-up of DR. K in front of a wall of framed performance photos.
DR. KATZENBERG: Say yes to every chance you get to make music — school concerts, summer programs, community ensembles. Go hear live performances. Talk to your teachers.
And remember — the “right” school isn’t about the name on the door. It’s about where you’ll grow the most, as both a musician and a person.
Music Cue: Light re-intro of upbeat theme.
CAMERA: DR. K holds up a tablet showing the Accoladi.com article “Conservatory vs. School of Music: What’s the Real Difference?”.
DR. KATZENBERG: If you want the full breakdown — everything from costs and scholarships to history and instrument tips — check out the article “Conservatory vs. School of Music: What’s the Real Difference?” on Accoladi.com. It’s clear, helpful, and written so you don’t need a theory degree to understand it.
[Closing Scene]
Music Cue: Theme swells.
CAMERA: Wide shot — DR. K picks up her viola, slings the case over her shoulder. Students in the background laugh as they pack up instruments.
DR. KATZENBERG (to camera): Your future in music is yours to shape. Whether it’s a conservatory, a school of music, or something in between — bring your passion, keep learning, and always keep playing.
Music fades to black.
[END]
Start your college journey with confidence!
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